爱在黎明破晓前 Before Sunrise 02
剧本ID:
550371
角色: 1男1女 字数: 3144
作者:橘猫TOC
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简介
两名陌生人Jesse与Celine在火车上相遇,展开一晚上的漫长对话,分享梦想、恐惧与生活观。这段特殊的时刻成为他们人生中的转折点。在黎明到来前,他们决定相约再见。
普本现代双普甜本爱情都市英语
角色
JESSE
Jesse是一个充满着梦想和对生活的热情的年轻人。他在电影中展现出了敏感、浪漫、以及对于爱情的追求。
CELINE
Celine是一位充满着灵气和独立思考的年轻女性。在电影中,她展现了与男主角Jesse一样的敏感和浪漫,同时也有着自己独特的魅力和见解。Celine是一个充满梦想和对生活的热情的人,她对世界充满好奇心,对爱情和人生有着深刻的感悟。
正文

爱在黎明破晓前 Before Sunrise 02

电影简介

《爱在黎明破晓前》是一部经典的爱情电影 (豆瓣 8.8, IMDB 8.1),讲述了两个陌生的、二十多岁的、年轻人在一次偶然的相遇后,在一个充满浪漫与情感的夜晚中经历了一段深刻的对话和情感体验。

人物介绍

男主角Jesse是一个充满着梦想和对生活的热情的美国年轻人。他在电影中展现出了敏感、浪漫、以及对于爱情的追求。他和女主角Celine之间的对话充满了智慧和情感,让人感受到了爱情的美好与复杂。

女主角Celine是一位充满着灵气和独立思考的年轻法国女性。在电影中,她展现了与男主角Jesse一样的敏感和浪漫,同时也有着自己独特的魅力和见解。Celine是一个充满梦想和对生活的热情的人,她对世界充满好奇心,对爱情和人生有着深刻的感悟。

Scene: CAFÉ

After a series of conversations from other people, we see Celine and Jesse sitting across from each other, talking for once.

00:26 人声结束

CELINE: Okay, now I'm going to call my best friend in Paris, who I'm supposed to have lunch with in 8 hours. Okay?

JESSE: (Nods) okay.

CELINE: (with her hands mimicking a telephone, lifting it off the base, and putting it to her ear) Dring-Dring. Dring-Dring. Dring-Dring. Pick up!

JESSE: What?

CELINE: Pick up the phone.

JESSE: (also mimics a phone with his hand, puts it up to his ear) Oh, hello?

CELINE: Àllo? (ah-loh)

JESSE: MmHmm.

CELINE: Vanie? C'est Celine. (vah-nee? seh seh-leen)

JESSE: Ahh...

CELINE: Comment ça va? (koh-mahn sah vah)

JESSE: (shock then realizes talking in French) Ah, ça va bien, et toi? (ah sah vah byang, eh twah?)

CELINE: Vanie, Oh, tu sais ce qui n'est arrivé... (vah-nee, oh, too seh suh kee meh ah-ree-vay)

JESSE: Ahhh... you ah, you know, I've been working on my English, recently, would you want to talk in English?

CELINE: Yeah, okay, that's a good idea. Ummm... I don't think I'm gonna be able to make it for lunch today, I'm sorry. I... I met a guy on the train, and I got off with him in Vienna. We're still there.

JESSE: ARE-YOU-CRAZY?

CELINE: Probably.

JESSE: We.. wa.. he's Austrian, he's from there?

CELINE: N-n-n-n-no. He's passing through here too. He's American. He's going back home tomorrow morning.

JESSE: (mocking a shocked expression) Why'd you get off the train with him?

CELINE: Well... he convinced me. Well, actually I was (smiles) I was ready to get off the train with him after talking to him a short while. He was so sweet; I couldn't help it. (softly) We were in the lounge car, and he began to talk about him, as a little boy, seeing his great-grandmother's ghost. I think that's when I fell for him. Just the idea of this little boy with all those beautiful dreams. (emphatically) He trapped me.

JESSE: MmHmm.

CELINE: And he's so cute! He has beautiful blue eyes, (he closes his eyes) nice big lips, (back-pouts his mouth), greasy hair, (she laughs) I love it. He's kind of tall, and a little clumsy. (softly) I like to feel his eyes on me when I look away. (smiling) He kind of kisses like an adolescent, its so cute.

JESSE: What?

CELINE: Yeah, we kissed. It was so adorable. As the night went on, I began to like him more and more. But I'm afraid he's scared of me. You know, I told him the story about the woman that kills her ex-boyfriend, and stuff. He must be scared to death. (Jesse begins to shake his head, slowly) He must be thinking I'm this manipulative, mean woman. I just hope he doesn't feel that way about me, because you know me, I'm the most harmless person. The only person I could really hurt is myself.

JESSE: I don't think he's scared of you. I think he's crazy about you.

CELINE: Really?

JESSE: I mean, I've known you a long time, and I got a good feeling. You gonna see him again?

CELINE: We haven't talked about that yet. (pause -- hangs up 'phone') Okay its your turn. You call your friend.

JESSE: Uh...

CELINE: Okay?

JESSE: (Hangs up phone, too) Alright, alright. Umm... (thinks) Uh, (picks up 'phone', puts to ear) Bring-Bring-Bring. Uh, I usually get this guys answering machine. Brawwwwwwng.

CELINE: (picks up 'phone', mimics American male accent) HI DUDE! WHAT'S UP?

JESSE: Uhhhh... Hey Frank, how you been? Glad you're home.

CELINE: Cool. Yeah. So, how was Madrid?

JESSE: Uh, Madrid... sucked! You know, Lisa and I had our long-overdue meltdown.

CELINE: Oh. Too bad. I told you, no?

JESSE: Yeah, yeah, yeah. The long-distance thing just never works. I was only in Madrid for a couple of days. I got a cheaper flight, out of Vienna... but, uh, you know, it really wasn't that much cheaper. I just, uh... I couldn't go home right away. I didn't want to see anybody I knew, I just wanted to be a ghost. Completely anonymous.

CELINE: So are you okay, now?

JESSE: Yeah. Yeah, no, no, yeah, I'm great, I'm great! That's the thing, I'm...I'm rapturous. And I'll tell you why. I met somebody. On my last night in Europe, can you believe that?

CELINE: Ah, that's incredible.

JESSE: I know, I know. And you know how they say we're all each others' demons and angels? Well, she was literally a Botticelli angel. Just telling me that everything was gonna be okay.

CELINE: How did you meet?

JESSE: On the train. Yeah, she was sitting next to this very weird couple who started fighting so she had to move. She sat right across the aisle from me. So, we started to talk, and, uh, she didn't like me much at first. She's super smart, very passionate, um... and beautiful. And I was so unsure of myself. I thought everything I said sounded so stupid.

CELINE: Oh, man, I wouldn't worry about that.

JESSE: No...

CELINE: No, I'm sure she was not judging you. No... And by the way, she sat next to you, no? I'm sure she did it on purpose.

JESSE: Oh, Yeah?

CELINE: Yeah. Us men are so stupid. We don't understand anything about women.

JESSE: MmMmm.

CELINE: They act kind of strange. The little I know of them. Don't they?

JESSE: Yeah.

Scene: Balcony

06:52 Passing Car

(On a balcony, overlooking a lower part of the city. JESSE is sitting on the stone rail, CELINE is leaning against it.)

JESSE: I feel like this is, uh, some dream world we're in, you know.

CELINE: Yeah, it's so weird. It's like our time together is just ours. Its our own creation. It must be like I'm in your dream, and you in mine, or something.

JESSE: And what's so cool is that this whole evening, all our time together, shouldn't officially be happening.

CELINE: Yeah, I know. Maybe that's why this feels so otherworldly. But then the morning comes, and we turn into pumpkins, right?

JESSE: Ahhh...

CELINE: Yeah, I know. (pause) But at this time, I think you're supposed to produce the glass slipper, and see if it fits.

JESSE: Yeah?

CELINE: Yeah.

JESSE: It'll fit.

He leans over. They kiss, then stare out at the city

Scene:  Ship-turned-restaurant

09:43 Music

(On an anchored ship-turned-restaurant, sitting at an elegant table, with a floating candle)

JESSE: This friend of mine had a kid, and it was a home birth, so he was there helping out and everything. And he said at that profound moment of birth, uh, he was watching this child, experiencing life for the first time, I mean, trying to take it's first breath... all he could think about was that he was looking at something that was gonna die someday. He just couldn't get it out of his head. And I think that's so true, I mean, all-- everything is so finite. I mean, but, but don't you think that that's what, um, makes our time, at specific moments, so important?

CELINE: Yeah, I know. It's the same for us, tonight, though. After tomorrow morning, we're probably never going to see each other again, right?

JESSE: You don't think we'll ever see each other again?

CELINE: What do you think?

JESSE: Well, um, gosh, I don't know. uh, I mean, I hadn't planned another trip to...

CELINE: Oh, Me too, you know. I live in Paris, you live in the US. I totally understand that...

JESSE: I mean, I'd hate to make you fly. You know, you hate to fly, right?

CELINE: I'm not so scared of flying. I mean I could...

JESSE: I mean, if you were gonna come to the US, or if, you know, I mean, if I, or you know, I mean, I could come back here, (Celine smiles) I mean... What? What?

CELINE: Now let's just be rational adults about this. We, maybe we should try something different. I mean, it's not so bad if tonight is our only night, right? People always exchange phone numbers, addresses, they end up writing once, calling each other once or twice...

JESSE: Right. Fizzles out. Yeah, I mean, I don't want that. I hate that.

CELINE: I hate that too, you know.

JESSE: Why do you think everybody thinks relationships are supposed to last forever?

CELINE: Yeah, why. It's stupid.

JESSE: …so, you think tonight's it, huh? I mean, that, tonight's our only night.

CELINE: It's the only way, no?

JESSE: … well, alright. Let's do it. No delusions, no projections. We'll just make tonight great.

CELINE: Okay, let's do that.

JESSE: Okay.

JESSE: We should do some kind of handshake, you know. Give me your hand. (they clasp each other's hands, so that all four are clasped together) Alright. To our one and only night together, and the hours that remain. (He kisses her hand, and she looks sad) What?

CELINE: (Sad) It's just... it's depressing, no? That the... the only thing we're gonna think of is when we're gonna have to say goodbye tomorrow.

JESSE: Well, we could say goodbye now. Then we wouldn't have to worry about it in the morning.

CELINE: Now?

JESSE: Yeah. Say goodbye.

CELINE: Bye.

JESSE: Goodbye.

CELINE: (softly) You have a... (with more emphasis) Au revoir. (oh ruh-vwar)

JESSE: Later.

CELINE: Later, yeah.

Scene: Park

13:38 Music and Bug Buzz

(In a park, lying down, in the dark, drinking wine)

CELINE: So often in my life I've been with people, and shared beautiful moments like traveling, or staying up all night and watching the sunrise, and I knew those were special moments. But something was always wrong. I wished I'd been with someone else.

(They both laugh)

CELINE:  I knew that what I was feeling, exactly what was so important to me, they didn't understand. But I'm happy to be with you. You couldn't possibly know why a night like this is so important to my life right now, but it is. This is a great morning.

JESSE: It is a great morning. (pause) Do you think we'd have others like this. (CELINE smiles) What?

CELINE: (smiles) What about our vow or rational, adult decision?

JESSE: Oh, yeah. Yeah. (Pause) I know what you mean about wishing somebody wasn't there, though. It's just usually it's myself that I wish I could get away from. Seriously, think about this. I have never been anywhere that I haven't been. …I've never had a kiss when I wasn't one of the kissers. You know, I've never, um, gone to the movies, when I wasn't there in the audience. I've never been out bowling, if I wasn't there, you know making some stupid joke.

CELINE: (smiles, not really taking him seriously.)

JESSE: I think that's why so many people hate themselves. I mean if we got married, after a few years, you'd hate a lot of my mannerisms, the way I drink a little too much when I'm insecure, the way I tell the same ridiculous, pseudo-intellectual ideas to every couple we have over to dinner. But you see, I've already heard all my stupid stories, so of course I'm sick of myself. But our time here has been completely out of time. Being with you has made me feel like I am someone else. I haven't had my past around to constantly drown me. The only other way to lose yourself like this is with drugs, or alcohol, dancing...stuff like that.

CELINE: Fucking?

JESSE: Fuh... (laugh) Fucking? Yeah, that's one way, yeah. (swallows breath, turns away)

CELINE: (Turning towards JESSE) Do you know what I want?

JESSE: What?

CELINE: (Whisper) To be kissed.

JESSE: Well, I can do that.

(They kiss, he starts to go down her neck)

CELINE: Wait! (she stops him, and sits up) I have to say something stupid.

JESSE: Alright.

CELINE: It's very stupid.

JESSE: Okay.

CELINE: I don't think we should sleep together. I mean, I want to, but since we're never gonna see each other again... it'll make me feel bad. I won't know who else you're with. I'll miss you.

CELINE: (she lies down beside him) I know. It's not very adult. May be it's a female thing, I can't help it.

JESSE: Let's see each other again.

CELINE: No, I don't want you to break our vow, just so you can get laid.

(They both laugh)

JESSE: I don't want to just get laid. I want to um, I mean, I mean, I think we should. I mean, we'll be done in the morning, right? I think we should.

CELINE: No, then it's like some male fantasy. Meet a French girl on a train, fuck her, and never see her again. That would be this great story to tell, (同入) I don't want to be a great story. I don't want this great evening to just have been for that.

JESSE: Alright. Alright, alright, alright. Okay.

CELINE: Okay?

JESSE: Okay. We don't have to have sex. It's not a big deal.

CELINE: Okay. (long pause) You don't want to see me again?

JESSE: (laughs) No, of course I do. Listen, if somebody gave me the choice right now, of to never see you again or to marry you, alright, I would marry you, alright. And maybe that's a lot of romantic bullshit, but people have gotten married for a lot less.

CELINE: (Long pause) Actually, I think I had decided I wanted to sleep with you when we got off the train. But now that we've talked so much, I don't know anymore.

(JESSE sighs of frustration. CELINE laughs, then leans over to kiss him.)

CELINE: Why do I make everything so complicated?

JESSE: I don't know.

(They looked at each other lovingly and kiss.) 

Scene: Train Station

22:24 Whistle

(JESSE and CELINE walk side by side, together holding her bag between them.)

CELINE: Okay, you know what bus you're taking to the airport?

JESSE: Yeah, yeah. No problem.

CELINE: I should get on this one. (pointing to a coach. They stop)

JESSE: Right here? You want to get on there?

CELINE: Yeah.

JESSE: Alright. Um...

CELINE: Okay. I guess this is it, no? (they hold hands)

JESSE: (breathing heavy, like after workout or from anxiety) Yeah. Um, I really, (a couple of deep breaths) I, uh, I... I mean, you know what I mean.

CELINE: Yeah, I know what -- I, uh. Yeha, My... Have a great life. Have fun with everything you're gonna do. Work hard...

JESSE: Yeah. Good luck in school, and all that.

CELINE: Okay.

JESSE: I hate this.

CELINE: Me too. My train is about to leave.

JESSE: Yeah.

(They passionately kiss and hug. They stop, and from this point on, their voices are rushed!)

JESSE: Listen. Listen. You know all this bullshit we're talking about, about not seeing each other again? I don't want to do that.

CELINE: I don't want to do that either.

JESSE: You don't either?

CELINE: I was waiting for you to say something.

JESSE: Well, why didn't you say something?

CELINE: I was afraid maybe you didn't want to see me.

JESSE: Alright, alright, well look. Listen, listen. What-d... what-d... What do you want to do?

CELINE: Maybe... maybe we should meet here, in five years or something.

JESSE: Alright, alright. Five years. Five years? That's a long time.

CELINE: Yes. It's awful. It's like a sociological experiment. How about one year?

JESSE: One year. Alright, alright.

CELINE: One year.

JESSE: How about six months?

CELINE: Six months?

JESSE: Yeah.

CELINE: Its gonna be freezing. (she starts laughing)

JESSE: Yeah? (He starts laughing)

CELINE: Yeah.

JESSE: Who cares? We come here, we go somewhere else.

CELINE: Okay. Okay. Uh, six months from now, or last night?

JESSE: Um... Last night. Six months from last night, which was, uh, June 16th. So uh, Track Nine, six months from now, at six o'clock at night.

CELINE: Dece-- December.

JESSE: December, yeah, right. Now listen, it's a train ride for you, but I got to fly all the way over here and shit like that, alright, but I'm going to be here.

CELINE: Okay, me too.

JESSE: Alright.

CELINE: And we're not gonna call or write or...

JESSE: Na...

CELINE: Na.

JESSE: It's depressing.

CELINE: Yeah, okay.

JESSE: Alright. (they kiss) Alright, your train's gonna leave. Say goodbye.

CELINE: Bye.

JESSE: Goodbye.

CELINE: Au revoir. (oh ruh-vwar)

JESSE: Later.

(They kiss again, and he helps her onto the train. The whistle blows, and the train leaves)

25:30 Whistle Again

(CELINE, walking to booth. Sits down in seat, looks out window)

(JESSE, going down escalator and leaving train station)

Music: Reminiscing scenes of all the places in Vienna where they have been together last night.

(JESSE, in a bus, looking out a window. Turns back to the front of the bus, and looks around the bus, puts his head back, closes his eyes, and smiles)

(CELINE, in train, looking out window, thinking. Eventually, she, too, smiles, remembering something, then lies her head against the wall, and closes her eyes, as if to sleep)

End

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